Graduate Student Paper Prize
The MMLA congratulates the 2025 winner of the Graduate Student Paper Prize: Anushmita Mohanty. Anushmita's paper, "Queer Zines and Infrastructures of Print Culture," examines how contemporary queer zine practices materially and politically reshape print culture by close reading Camp Books’ “Towards a Queer Means of Production” by Brooke Palmieri and PrintRoom’s zine “What Problems Can Artists’ Publishers Solve?” with contributions from Josh MacPhee, Tim Devin, Jan Steinbach, etc. It emphasizes embodied making, different models of circulation, and relational modes of knowledge- sharing. The paper connects historical anxieties about print to the stigmatization of queer lives and the underground publishing movement. Using queer temporality and utopian theory from José Esteban Muñoz and Jack Halberstam to rework models of the communication circuit, it argues that zines subvert the hierarchies of commercial print culture, and constitute durable archives.
Anushmita Mohanty is a PhD Candidate in English at the University of Wisconsin-Milwaukee. Her dissertation surveys archives of student writing in Indian literary production to construct a "student archive" of educational experiences, spanning from the nineteenth century to contemporary literature. She is specifically interested in the question of education-based migration. She has an article forthcoming in Culture as Text and book chapters on zines and print histories. She holds an MA in World Literatures in English from the University of Oxford. She is also a lead instructor for First-Year Composition, English studies, and LGBT studies.
Previous Winners
| MMLA Convention |
Graduate Student |
Title of Paper |
|
2025
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Anushmita Mohanty, University of Wisconsin - Milwaukee
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"Queer Zines and Infrastructures of Print Culture"
|
|
2024
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Anika Jensen, University of Kentucky
|
"‘The War is the World’: Theories of Feeling in Women’s Great War Nursing Narratives"
|
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2023
|
Vivian Lei, Columbia University
|
"Writing Affect In/Through Body Parts: The Aggressive Affectivity of Melancholia in Theresa Hak Kyung Cha’s Dictée"
|
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2022
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Hannah Wolsey, Missouri State University
|
The Privilege of Inquiry: Using Problem-Posing Education to Subvert Censorship of Diverse Perspectives
|
|
2021
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Jamie Chen, The University of Iowa
|
The Ends of Imagination: Trauma Narrative in Arundhati Roy's Prose and Politics
|
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2019
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Maria Capecchi, University of Iowa
|
Practicing the Work of Worms: Lyric Voice and Grievable Lives in Solmaz Sharif’s Look
|
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2018
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Zachary Powell, University of Rochester
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Women at War: WWI, Patriarchy, and Conflict in Wonder Woman (2017)
|
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2017
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Celia Martínez-Sáez, The Ohio State University
|
The Forgotten Flesh: Confronting Western Epistemologies through Parody in Guillermo Gómez-Peña and Coco Fusco´s "Couple in the Cage"
|
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2016
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Lydia Craig, Loyola University Chicago
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The Juvenile and the Erudite: A Study of Marginalia in Newberry Case Y 12.T219
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2015
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Wietske Smeele, Vanderbilt University
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Grounding Miasma, or Anticipating the Germ Theory of Disease in Victorian Cholera Satire
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2014
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Courtney Scuro, California State University, Long Beach
|
Placing and Playing the Past: History, Politics, and Spatial Ambiguity in Richard Mulcaster's The Queen's Majesty's Passage
|
Undergraduate Student Paper Prize
The MMLA congratulates the 2025 winner of the Undergraduate Student Paper Prize: Isabella Martin. Her paper, “Immoral Art: Gender and Pre-Raphaelite Artwork in The Picture of Dorian Gray” investigates the relationship between Wilde’s novel and artwork by the Pre-Raphaelite Brotherhood, a popular – and controversial – group of artists whom Wilde publicly supported in his early career. The novel’s titular character is described in ways which resemble young men who populate Pre-Raphaelite paintings, such as the Angel Gabriel, Narcissus, and Eros. Dorian Gray is also described with and surrounded by floral imagery, which provides significant weight to his gender coding. Utilizing these painted images, alongside material by prolific contemporary writers such as Sir Alfred Lord Tennyson and John Ruskin, this paper demonstrates that the young Dorian Gray transgresses significantly from Victorian constructions of masculinity, instead occupying a space of gender ambiguity. Dorain Gray’s liminality exhibits how both Wilde and the Brotherhood used beauty as a form of rebellion, questioning the rigid structures of gender within the period, and ultimately informing our own perceptions of identity and expression.
Isabella Martin is a fourth-year undergraduate student at the University of Nebraska Omaha. She is pursuing a bachelor’s degree in English Literature and History with minors in Art History, Medieval-Renaissance Studies, and Ancient Mediterranean Studies. Her research focuses on the influence of material culture, artwork, and antiquity in nineteenth-century literature, and she is particularly interested in the demonstration of liminal gender expression and identity in Victorian Gothic texts. Following the completion of her undergraduate program, Isabella hopes to pursue a graduate degree in English Literature and continue her studies in nineteenth century literature and culture.
Previous Winners
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MMLA Convention
|
Award
|
Undergraduate Student
|
Title of Paper
|
|
2024
|
1st Place
|
Yiyao Sun
|
Challenging Polyphony's Role in Addressing Trauma and Mental Stress in Contemporary East Asian Women's Literature
|
|
2023
|
1st Place
|
Paige Parker, Saint Mary's College
|
Poetry and Democracy: Ada Limón and the Role of the Poet Laureate
|
|
2022
|
1st Place
|
Chloë Moore, Macalester College
|
The Orientalist Parallelogram
|
|
2021
|
1st Place
|
Emily Schlorf, Butler University
|
Mothering Matters: A Lacanian Explanation of Clare’s Death in Nella Larsen’s Passing
|
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2019
|
1st Place
|
Saiham Sharif, Grinnell College
|
Reconciling the Double Self: The Sympathizer as Adaptation of Hamlet
|
|
2019
|
Honorable Mention
|
Allison Monterastelli, Loyola University Chicago
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Inverted Tropes of Gender Performativity in The Wife of Bath’s Tale and Sir Gawain and the Green Knight
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