Previous Paper Prize Winners

Graduate Student Paper Prize

The MMLA congratulates the 2025 winner of the Graduate Student Paper Prize: Anushmita Mohanty. Anushmita's paper, "Queer Zines and Infrastructures of Print Culture," examines how contemporary queer zine practices materially and politically reshape print culture by close reading Camp Books’ “Towards a Queer Means of Production by Brooke Palmieri and PrintRoom’s zine What Problems Can Artists’ Publishers Solve? with contributions from Josh MacPhee, Tim Devin, Jan Steinbach, etc. It emphasizes embodied making, different models of circulation, and relational modes of knowledge- sharing. The paper connects historical anxieties about print to the stigmatization of queer lives and the underground publishing movement. Using queer temporality and utopian theory from José Esteban Muñoz and Jack Halberstam to rework models of the communication circuit, it argues that zines subvert the hierarchies of commercial print culture, and constitute durable archives. 

Anushmita Mohanty is a PhD Candidate in English at the University of Wisconsin-Milwaukee. Her dissertation surveys archives of student writing in Indian literary production to construct a "student archive" of educational experiences, spanning from the nineteenth century to contemporary literature. She is specifically interested in the question of education-based migration. She has an article forthcoming in Culture as Text and book chapters on zines and print histories. She holds an MA in World Literatures in English from the University of Oxford. She is also a lead instructor for First-Year Composition, English studies, and LGBT studies. 

 

Previous Winners

MMLA Convention Graduate Student Title of Paper

2025

Anushmita Mohanty, University of Wisconsin - Milwaukee

"Queer Zines and Infrastructures of Print Culture" 

2024

Anika Jensen, University of Kentucky

"‘The War is the World’: Theories of Feeling in Women’s Great War Nursing Narratives"

2023

Vivian Lei, Columbia University

"Writing Affect In/Through Body Parts: The Aggressive Affectivity of Melancholia in Theresa Hak Kyung Cha’s Dictée"

2022

Hannah Wolsey, Missouri State University

The Privilege of Inquiry: Using Problem-Posing Education to Subvert Censorship of Diverse Perspectives

2021

Jamie Chen, The University of Iowa

The Ends of Imagination: Trauma Narrative in Arundhati Roy's Prose and Politics

2019

Maria Capecchi, University of Iowa

Practicing the Work of Worms: Lyric Voice and Grievable Lives in Solmaz Sharif’s Look

2018

Zachary Powell, University of Rochester

Women at War: WWI, Patriarchy, and Conflict in Wonder Woman (2017)

2017

Celia Martínez-Sáez, The Ohio State University

The Forgotten Flesh: Confronting Western Epistemologies through Parody in Guillermo Gómez-Peña and Coco Fusco´s "Couple in the Cage"

2016

Lydia Craig, Loyola University Chicago

The Juvenile and the Erudite: A Study of Marginalia in Newberry Case Y 12.T219

2015

Wietske Smeele, Vanderbilt University

Grounding Miasma, or Anticipating the Germ Theory of Disease in Victorian Cholera Satire

2014

Courtney Scuro, California State University, Long Beach

Placing and Playing the Past: History, Politics, and Spatial Ambiguity in Richard Mulcaster's The Queen's Majesty's Passage


 Undergraduate Student Paper Prize

The MMLA congratulates the 2025 winner of the Undergraduate Student Paper Prize: Isabella Martin. Her paper, “Immoral Art: Gender and Pre-Raphaelite Artwork in The Picture of Dorian Gray” investigates the relationship between Wilde’s novel and artwork by the Pre-Raphaelite Brotherhood, a popular – and controversial – group of artists whom Wilde publicly supported in his early career. The novel’s titular character is described in ways which resemble young men who populate Pre-Raphaelite paintings, such as the Angel Gabriel, Narcissus, and Eros. Dorian Gray is also described with and surrounded by floral imagery, which provides significant weight to his gender coding. Utilizing these painted images, alongside material by prolific contemporary writers such as Sir Alfred Lord Tennyson and John Ruskin, this paper demonstrates that the young Dorian Gray transgresses significantly from Victorian constructions of masculinity, instead occupying a space of gender ambiguity. Dorain Gray’s liminality exhibits how both Wilde and the Brotherhood used beauty as a form of rebellion, questioning the rigid structures of gender within the period, and ultimately informing our own perceptions of identity and expression.  

Isabella Martin is a fourth-year undergraduate student at the University of Nebraska Omaha. She is pursuing a bachelor’s degree in English Literature and History with minors in Art History, Medieval-Renaissance Studies, and Ancient Mediterranean Studies. Her research focuses on the influence of material culture, artwork, and antiquity in nineteenth-century literature, and she is particularly interested in the demonstration of liminal gender expression and identity in Victorian Gothic texts. Following the completion of her undergraduate program, Isabella hopes to pursue a graduate degree in English Literature and continue her studies in nineteenth century literature and culture. 

Previous Winners

MMLA Convention

Award

Undergraduate Student

Title of Paper

2024

1st Place

Yiyao Sun

Challenging Polyphony's Role in Addressing Trauma and Mental Stress in Contemporary East Asian Women's Literature

2023

1st Place

Paige Parker, Saint Mary's College

Poetry and Democracy: Ada Limón and the Role of the Poet Laureate

2022

1st Place

Chloë Moore, Macalester College

The Orientalist Parallelogram

2021

1st Place

Emily Schlorf, Butler University

Mothering Matters: A Lacanian Explanation of Clare’s Death in Nella Larsen’s Passing

2019

1st Place

Saiham Sharif, Grinnell College

Reconciling the Double Self: The Sympathizer as Adaptation of Hamlet

2019

Honorable Mention

Allison Monterastelli, Loyola University Chicago

Inverted Tropes of Gender Performativity in The Wife of Bath’s Tale and Sir Gawain and the Green Knight